Khun Phaen Begins

Khun Chang Khun Phaen (Thai: ขุนช้างขุนแผน, pronounced [kʰǔn tɕʰáːŋ kʰǔn pʰɛ̌ːn]) is a long Thai epic poem which originated from a legend of Thai folklore and is one of the most notable works in Thai literature. The work’s entire length is over 20,000 couplets. Khun Chang and Khun Phaen are the leading male characters, where “Khun” was a junior feudal title given for male commoners. The story recounts the adventurous and amorous struggles of the three main protagonists. Much of their relationship can be described as a love triangle. Khun Phaen (dashing but poor) and Khun Chang (rich but ugly) compete for the lovely Wanthong from childhood for over fifty years. Their stories transpire amid the larger backdrop of national events, including two wars, several abductions, a suspected revolt, an idyllic sojourn in the forest, two court cases, trial by ordeal, jail, and treachery. Ultimately the King of Ayutthaya condemns Wanthong to death for failing to choose between the two men.Khun Phaen Begins 2019.

The KCKP epic existed for a long time as an orally transmitted poem among Thai troubadours. The poem was first written down and published in printed form in 1872, and a standard edition first published in 1917–1918.^[1] Like many works with origins in popular entertainment, it is fast-moving and replete with heroism, romance, sex, violence, folk comedy, magic, horror, and passages of lyrical beauty. In Thailand, the story is universally known. Children learn passages at school, and the poem is a source of songs, popular aphorisms, and everyday metaphors. A standard edition of KCKP, as published by the National Library, is 1085-pages long. A complete English prose translation of KCKP was published by Chris Baker and P. Phongpaichit in 2010.Khun Chang Khun Phaen is an old folk story in the Thai language. It originated as a folk entertainment some time around 1600 A.D., developed by storytellers who recited episodes for local audiences, and passed on the story by word-of-mouth.^[1] By the eighteenth century, such performances had become the most popular form of entertainment in Siam. The storytellers recounted the story in stylized recitation, using two small sticks of wood (krap) to give rhythm and emphasis. The performances typically lasted a full night.

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