Aim higher he did. Whilst Occupation: Rainfall doesn’t always blend its special effects to a believable degree, one has to admire the ambition on hand and the admittance that had this just a little extra polish it wouldn’t be out of the realms of possibility for the Hollywood studio system to deliver something of similar quality. This is space opera at its most melodramatic. Quintessential Aussie cheese folded in with the evident influence of such genre efforts as Star Wars, Star Trek, Independence Day, and War of the Worlds, essentially meaning that Rainfall doesn’t forge its own identity, but at least is having a lot of fun in the process.Occupation: Rainfall 2021 Movie Download.
As much fun as it is having though, it’s not exercising an awful lot of subtlety. And at just over 2 hours it feels remarkably much longer, ultimately not delivering too much plot – all about those extended action sequences – and even having the nerve to end on a note that screams “we’ll be back” – assuming Sparke musters up the funds for a third time. But before it gets to such an end, it plays by the genre rules in serving up extraterrestrial life versus the surviving Australian population in an all out race war that pits the likes of a smarmy Daniel Gillies, a take charge Jet Tranter, and the bad boy charm of Dan Ewing against various alien creations (a mixture of practical and computer generated effects) in the fight for survival.
Whilst you’ll ultimately end up overloaded on shallow and distracting aesthetics – and I haven’t even mentioned the at-times cringeworthy addition of Ken Jeong and Jason Isaacs (or at least his voice) as a duo of American scientist-types who play fast and loose with the archetype of “comic relief” to no avail – Occupation.