‘Reminiscence” is a futurist thriller about memory and memory addiction. What you may remember best after seeing it, in theaters or on HBO Max, is its bleak but majestic vision of Miami at a time when rising sea levels have engulfed much of the city, which manages to carry on against all odds and logic—Venice at the intersection of “Blade Runner,” a mostly sodden megalopolis where a few dry enclaves protected by gigantic seawalls are the exclusive province of the rich. This debut feature by Lisa Joy, the co-creator of TV’s “Westworld,” has been framed as a film noir, though with a difference. Almost every sequence contains references to other films. Spotting them is a pleasant distraction from figuring out the plot, an absurdly rococo structure that rivals the most flagrant befuddlements of “Inception” or, for that matter, the latter stretches of “Westworld.”Reminiscence 2021 Full Movie Download
Hugh Jackman plays Nick Bannister, a hard-living, softhearted private eye. Nick helps his clients regain lost memories by fitting them with headgear reminiscent of “Eternal Sunshine of the Spotless Mind” and immersing them in his reminiscence tank, a piece of equipment evoking “Minority Report” or, in its dilapidation, the steampunk technology of “Brazil.”Rebecca Ferguson is Mae, the femme fatale of the piece. In “The Maltese Falcon,” the pioneering noir classic from eight decades ago, Mary Astor showed up in Sam Spade’s office supposedly looking for her missing sister. Mae comes to Nick’s dingy laboratory for help finding lost keys. After capturing his heart in an instant, she vanishes just as suddenl yas she appeared. That’s the mystery element of the narrative: his frantic search for her through other people’s memories. Nick’s tough-minded assistant, Watts (Thandiwe Newton), dismisses Mae, with more than a tinge of jealousy, as “an idea wrapped in a tight dress,” but she’s the movie’s best idea. The camera adores her, for good reason—Paul Cameron did the elegant cinematography. Like all femmes fatales, Mae is not what she seems, and Ms. Ferguson bestows steady-state warmth and a lyrical spirit on her character’s many incarnations, one of them being a nightclub chanteuse who sings “Where or When” in a style faintly redolent of Marlene Dietrich.
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