The theme music for “Frontier” encapsulates the whole show. It starts a little outsize, with an electric guitar riff over the orchestral strings that we’ve come to associate with adventure shows. But then the drumbeat changes subtly, and a chant-like singing is mixed into the music. The new element is Cree powwow drumming and singing — a warlike song, if not a war song. Against the brash guitar and “epic” strings, it’s at first buried, and then dissonant, before coming together to create a distinct, beautiful sound.Frontier Season 1-3 Download.
“Frontier,” a Canadian Netflix original debuting stateside this weekend, is a historical epic that capitalizes on the best features of prestige television. It’s sprawling, diverse, and detailed, with an eye towards complicating simple assumptions about its subjects. Because we’re in the midst of a glut of shows touting prestige markers, “Frontier” at first seems to be just another show parading its blood, guts, and whorehouses as indicators of just how cool it is. (In my metaphor, that’s the trying-too-hard guitar riff.) It reveals itself to be an ambitious, considered history.
Especially for the average American viewer, the struggle to control the resources around Hudson Bay in the 1700s is unknown or forgotten history. A map of the region will be handy. So necessary, in fact, that à la “Game of Thrones,” the opening credits unfurl a map of the region, and depict toy soldiers from every interested party meeting in a wary circle before gravely aiming muskets at each other. Each is wearing the uniform and waving the banner of their “team” — there’s a flag for the Hudson Bay Company, an English private interest, as well as a banner for the Cree people, also called the Lake Walkers. This is a history of competing peoples and fractured narratives, and “Frontier” puts that aspect of the show front-and-center. Unfortunately, the show is not always up to the task. The first episode is a real jumble of place names and accents — demonstrating the scope of the series, but also a weakness in the writers’ ability to build narrative out of apparent chaos.